Scottish - Musician | March 31, 1959 -
Go back to the very beginning, when we first started playing in local pubs. We used to play Chuck Berry covers. Every now and then, we'd slip in one of our own songs, and we found that we were getting away with it - nobody seemed to know these were original tracks.
Angus Young
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I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
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We've always been quite clear about how we want the songs to sound. If we can imagine the song being played at a party, and it gets people tapping their feet, then it's in.
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I used to run home from school, pick up my guitar, and lock myself in my room and play.
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I have the Internet, but the first that happens with it is my machine will crash. I get by when it's operating. What would I know about updating?
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I've been shocked for a long time in a lot of circumstances. I get shocked when they say, 'Hey, we're paying ya.'
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We knew when we started we wouldn't be accepted overnight, that it was going to be a long haul.
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We're not the prettiest bunch of animals in the world.
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We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
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Riffs are a repeating thing. They come back to you. Some of the things on 'Back in Black' were ideas we had knocked around on tracks before that: 'That bit - maybe we should take a chunk of that and slug it in here.'
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There's nothing worse than trying to patch something or make do. If there wasn't something there in the beginning, it won't be there at the end.
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I don't regard myself as a soloist. It's a color; I put it in for excitement. It's not great loss if a solo has to go. We've made songs without solos.
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