American - Actress | November 18, 1981 -
I never pursued voice hard enough. I've done musicals here and there, but I was never dedicated to really being one of these fantastic, operatic kind of singers that you have to be in some of these musicals.
Allison Tolman
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I really respect the Coen brothers as directors and as creative individuals and with the way that they handle the industry and the business side of things.
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Someone asked me about how it feels to wear the same costume every day and whether it gets tired or boring, but the good thing about it is that you know what to expect, every day.
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Whenever I've done a sketch in which I'm asked to play a mom, my brain goes to Minnesota. It makes the character seem matronly, warm, the kind of person that takes care of you and brings you Campbell's soup when you're sick. It's a great shortcut.
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At Clements, I was an officer in Thespian Troupe No. 3689.
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I know the benefits of having a really great improv show are amazing because it was this one rare and fleeting thing that was incredible, but the risk just didn't appeal to me. I liked the control of sitting down and writing things.
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The best thing I ever learned when I first started acting is that you audition, and then you forget about it when you walk out the door. Even when you have a callback, you can't bank on things until you actually book that job, or your heart will just be broken over and over again.
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