British - Writer | November 18, 1953 -
Certainly, my many years working in the comics industry, creating products that I do not own, has made me rather fierce on the subject of giving up rights.
Alan Moore
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While the revolution will be certainly televised, it strikes me that there is a strong possibility that the revolution will also be crowd-funded.
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Culture is just a shambling zombie that repeats what it did in life; bits of it drop off, and it doesn't appear to notice.
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It has occurred to me that the superhero really only originates in America. That seems to be the only country that has produced this phenomenon.
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I've never watched any of the adaptations of my books. I've never wanted to, and there's absolutely no chance of me doing so in the future.
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I'm dependent on writing for a living, so really it's to my advantage to understand how the creative process works. One of the problems is, when you start to do that, in effect you're going to have to step off the edge of science and rationality.
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If you're functional, it doesn't matter if you're mad.
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I love films that are made with almost no budget.
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Writing is a very focused form of meditation. Just as good as sitting in a lotus position.
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One of the things I don't like about film is its incredible immersive quality. It's kind of bullying - it's very big, it's very flashy, it's got a lot of weight and it throws it around almost to the detriment of the rest of our culture.
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There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future.
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There's been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates.
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